Modern Art Scandal Uncovered: Are Children shipped in boxes as “LIVE ART” under the “ART FOR EMBASSIES PROGRAM” to Feed Pedophiles and Cannibals?
Warning: Content may be considered graphic.
It has been years that I become very suspicious of the modern art and it didn’t take a long time to realize how the modern art has acted as a catalyzer to cover-up pedophilia but recently as the modern world evolves in perversion and blood, modern art, in consequence, have become more aggressive in presenting pedophilia, cannibalism and as the latest evolution, presents ”Pedovore.”
What is Pedovore?
I had to search for it. This was on urban dictionary. This is the ultimate perversion and I am not sure if what is going on in the elite parties is not even worse than that.
Pedovore is something who eats children and has its symbolism. Search the word and see how vast it is being used in the world of modern art.
Where is the “red line” in Modern Art?
There is NO red line!
Children in heinous positions
Adult’s genitals completely open and exposing
Adults performing sex
Beheadings and blood
All allowed by modern art.
Modern Art is a “language code” for pedophiles and cannibals to find their pals. Of course, as usual, we are not saying that all people and students working and studying in the field of modern art are criminals or bad people, but modern art has become a channel to broadcast pedophilia, bestiality, and cannibalism through symbols. These symbols are meaningful only to the members of Planet Perversity. Here I recall a passage of my book on modern art as I already broke it up:
“The modern usage of the word “art” is just disturbing. Modern art has become a cover-up and an excuse to display openly, publicly, and freely the symbols that in no other way can be presented in society. These symbols act as a language code. A language code in which perverts and pedophiles recognize each other.
The language of symbols is the way they communicate and proof of loyalty. It is hard to believe, but we are not living in our countries, we are living in corporations belonged to oligarchs, technocrats, and colonizers, and they play their own rules regardless of our acceptance or not. The price of going high is loyalty.
Let’s put back behaviors where there was a limit. Let’s go back when society had values. Let’s fight this crap called modern art! Every single pervert, every misbehave, every perplexed identity, pornography, child abuse, and abomination, somehow links with kind of bizarre so-called modern art or comic art, that allows them to gather in depravity exhibitions, find each other, socialize and normalize the abuse.
So-called “artists” personifying “child abuse” and their “art” are excellent examples of this. How can those horrific pieces of perversion be called “ART” and not an unspoken secret language code of predators and child traffickers finding each other?
Take a look at some artists who are most wanted by DC’s ruling class, whom their paintings are hung in their houses and decide for yourself are these slices of pizza over children’s genitals, kids with their hands taped down on tables, children with price tags on them, phallic symbols mixed with underage kids, half-naked children hanging by their underwear in dirty bathrooms with spanked bottoms, very young children with their body part cut and put beside them, very young babies on the ground and a man on top of the baby doing disturbing acts and blood everywhere, are art or not? And would you hang these disturbing paintings in your house?
I encountered some pieces by Kim Noble, Biljana Djurdjević, Dionyso, Marina Abramovic, and Katy Grannan, and found them extremely bizarre and disturbing but this is my personal view. Decide for yourself. Look at their “ART” and this is just the tip of the iceberg.“—RING OF THE CABAL
To read the book click here.
I have to post a collection of this bizarre art together then you will understand how what we hear the elite do to the children in their parties is perfectly aligned with what we see in their art. If Hillary Clinton would have won the election, these leaks and reports from the inside Jeffry Epstein’s Orgy Island and Anthony Weiners laptop would have never come out and in that case, we would continue to feel creepy and weird watching those art exhibitions but would have never imagined what do they mean. We understand just after the WikiLeaks and Assange’s sacrifice in 2016.
Their “Modern Art” is just a soft description of what they really do. It is a catalyzer and it is at the same time the “authorization” to bring the perversion in the middle of the city and “desensitize” the public. All is connected. The Obama administration to legalize 12 perversions including pedophilia, bestiality, and polygamy as Senator Tom Delay (to know more read here) said is perfectly aligned with what we see today. Senator Delay was HOUSE MAJORITY LEADER. It was equivalent as if today, Nancy Pelosi announces such a thing. He was not ANY senator. He was the Leader of the House. This is what they do so they don’t want to hide it anymore.
The reason we see this kind of art can be simply explained as follows:
Child traffickers, Satanic Cults, and Cannibals have a special lifestyle. They are so powerful and occupy the highest positions around the world. Their lifestyle is their way of being. They live this life and it’s the only way that gives them the pleasure they look for. Besides, this is how their entire community lives. So they express it but if they do it exactly as they do it in private, they will be arrested so they have promoted the Modern Art crap and comic art/comedy as it is protected by the First Amendment right to free speech. They can picture or make anything under the name of art. It is even a bigger turn on for them because it acts as a see-through outfit.
It resonates with the act but it’s not there so not the same and in the daylight, when parents surf the exhibitions with their kids and when normal people are eating and chatting, they find their community targets.
To be able to get rid of all possible controls and check-ins, the pedovors in higher places have created new laws and regulations to deregulate the old system of vetting. They have put in motion two programs: 1- LIVE ART 2-Art For Embassies. If you hear this you can never imagine that LIVE ART may mean Alive Children packaged in boxes, gagged and taped to fit in the box. You instead may think LIVE ART should be a live performance of some kind of art. But wait a minute; performance cannot be packaged and shipped.
So what is Live Art? How can John Podesta obtain a special permit to bypass the customs regulations and control if he names the package under the “LIVE ART” category?
In videos of Gabriel and Alisa, we saw the children say: “We eat babies” and the police officer asks “How do you obtain the babies”? and the children respond “Poppa receives them by Courier.” To see their videos click here.
Most influential people in DC have art galleries. They present this Pedovore Perversion and Statues performing adult scenes as the art, then they have a Customs-Free permission to transport them and who knows what is inside when nobody checks?
The picture below is not from any specific art dealers but it shows how they fit a child in a box.
This picture only shows how they tape and gag children to fit them in the box. They are not pictures of Live Art but drugged and tapped children for other gangs.
A very interesting and researched article submitted by the user: “squirtking33” on Redditt presented to me by Brad Fitzgerald +++ @Gruvedawg on Twitter says:
“Welcome to Skull and Bones. The Foundation for Art and Preservation of Embassies is made up of dozens of billionaire families and politicians with ties to the global elite who are able to ship artwork around the world without passing through conventional security channels. They have partnered with the Rothschild, and Alefantis, The Podestas, and Hillary Clinton are involved.
Group Photo ( http://i.imgur.com/DuSqSGy.jpg )50 years ago, the Museum of Modern Art decided to spread “cultural diplomacy” by establishing a program whereby artworks could be spread around the world through American embassies. This matches similar exchange programs by the UK (GAC) and France (Foundation Pompidou, French-American Foundation). Hillary Clinton wrote an article for Vanity Fair 1 celebrating the 50th anniversary of the program.”
“My research into the Embassy Art shipments began when the Howard Gutman Belgian embassy pedophilia scandal appeared on Voat, and somehow no one in the state department did anything to stop Gutman from doing his job. picture here:
( http://www.telegraph.co.uk/news/worldnews/northamerica/usa/10114694/US-state-department-accused-of-covering-up-prostitution-investigation.html )
An ambassador believed to be Ambassador to Belgium Howard Gutman, who “routinely ditched … his protective security detail,” and inspectors suspect this was in order to “solicit sexual favors from prostitutes,” some of whom were underage. The investigation into Gutman was called off after his meeting with Undersecretary of State for Management Patrick Kennedy.
Today, Art in Embassies is run by Beth Dozoretz, a close friend of Hillary Clinton and famous for helping Bill Clinton pardon Marc Rich on his final day in office. 1 To quote Vanity Fair, Dozoretz became drew attention to herself when “she played a key role in persuading her friend Bill Clinton to pardon her fugitive billionaire ex-husband, Marc Rich”. As is the case with most Hillary Clinton confidantes, the more effort they put into covering up international crime and trafficking, the higher they climbed. And even though Hillary’s state department did little to oversee embassies during her tenure as SoS, she still invested a ton of time and effort into promoting Art in Embassies.”
“The Art in Embassies program is run by many members/alumni of the Yale circle of elites, including John Kerry, Hillary Clinton, Robert Storr (Dean of Yale School of Art), and many other industrialist families behind some of America’s best-known brands. The Sackler’s, the family behind Purdue Pharma (Valium and Oxycontin), clearly took time away from their role as drug-pushers to promote the arts with the global elite. Here they are with their esteemed lapdog, Alec Baldwin.
( http://i.imgur.com/F9wpq7x.jpg )
This is an important detail I can’t stress enough. They literally controlled the Opium market with a prescription drug, exactly as the United States did in Afghanistan, all the way back to the era of the Opium Wars in China…which Skull and Bones controlled. Remember, these families are primarily located around Connecticut.
The Sacklers, who have coordinated events with James Alefantis, 1 presented medals to Marina Abramovic and Jeff Koons, whose former wife stated that Koons made his Child touch his private area 2 both of whose work have been transported on these aircraft multiple times, some directly through the Tony and Heather Podesta collection. In fact, Podesta “gifted” transported some of Abramovic’s “bloody” work to Whitechapel, London, 3 supported in part by the “UK Friends of the National Museum of Women Artists”. Notice how they conceal their organizations–diplomatic groups functioning within art galleries.”
The article is really great. To read the full article click here.
So let’s take a look at actual “Artistic” works that need our concern and commitment to set up a movement and end this madness.
Let’s start with Alex Podesta which I even didn’t know there is another Podesta but looking at his creations, there remains no doubt that this is a real Podesta member and as he is young, probably has experienced abuse and became the promoter. Don’t forget these children have seen nothing of normal life and unless they are not out of the Ring, they see it as normalcy.
These are Alex Podesta’s work exposing in his exhibition in DC.
Children’s feet as dents. Do you remember Pedovore?: Something who eats children…
A symbolic child in the middle. Two adult men are starting to play with it while undressing. A magazine on the ground with a rope on it.
(Many times we see people hung by a rope in pedophiles’ illustrations.)
A symbolic baby on the bed at the exact position and shape of a one-year-old baby. The man watching the baby has his hands down his body as we can’t see them. Staring at the baby and turning his head to the down left at the lower body of the symbolic child. If you are going to say the artist may have meant only a rabbit and not a baby, then you have to convince us how a rabbit can sleep on his back in that position?
Men on men, the couple on the left in a sexual position. Both couples ready to hurt those two little babies. They are ready to beat them and hang them while babies’ eyes are banded. The position of small rabbits are like having hands taped at their back and although this can not happen with the short hands of the rabbits, it perfectly gives the impression.
Children in abusive and upside-down positions. Always like being toys of two adult men.
The last one which is very disturbing to me is this. This piece was his invitation card for the exhibition and was called “Tender Age” and pictures an almost two-year-old baby with his/her mouth dirty with and a red trace but when you look better, it seems dried blood. His/her nose is dirty too. Nobody uses an unwashed babyface for an exhibition invitation cards. This is a message. The baby has eaten something bloody.
But this is not all. The man is reading a book and on its cover there is something. When I zoom in I see a figure like this:
A man on a baby with a handkerchief under the baby. Blood everywhere on the floor and adults watching while smoking. The disgusting “map” code word in Podesta emails and the disgusting painting of the artist Kim Nobel found on Comet Ping Pong Pizza hanging on the wall.
Now let’s go to Alba Hodsoll, another pedovore so-called artist whom I accidentally found her work on one of Ray Chandler’s Instagram pages. She must be in Ray Chandler’s circuit. To know about Ray Chandler who was a sex slave in Jeffry Epstein Island click here.
No, you are not wrong. These are baby hearts and we are looking at a sandwich. I am going to write an extensive article on Planned Parenthood with videos and decoded secrets but Planned Parenthood hearts are as tiny as an unborn baby while these hearts must belong to 4-5-month-old born babies. Where do they come from? Is Planned Parenthood somehow involved in obtaining small babies body parts too?
The picture below as you see is a little girl with Ballet outfit and shoes. Everywhere is pinky as a little girl likes but the little girl is beheading another kid while performing ballet with a smile. This is Alba’s art. Blood, head, brutality as normality. These people live this life that’s why they present it as art. It is not that they have a wild side that let it go as a manifest in their art, on the contrary, it is the main part of their everyday character that they dare to show to the public at “some” extent and not all of it.
Now does it seem weird to see Katy Griffith and these acts after looking at Alba’s art? This is their normal life. Why should Griffith do this? They are accustomed by blood and flesh and these disgusting types of enjoyments. Within millions of good artists, why should your ex-president ask this particular artist below, specialized in beheading a white woman, to draw his presidential portrait? Any connections? Nothing is a coincidence. There is meaning in everything they do. A symbolic meaning and a code.
Let’s go back to Alba Hodsoll. There is nothing artistic in portraying a penis at the moment of anal entrance in public. There is only filth and perversion.
Again beheading but here not only that. Touching and playing with a dead body after beheading. These people are sick! This is a reference to Necrophilia and the victim “Toos” proves that they do it.
Keep in mind that while this looks like drinking the blood of a snake, the snake is just symbolic and it represents the act of drinking blood and eating flesh. Pedovore Cannibalism in action.
And while they are so many other images that I can’t insert all of them here, look at this one which is Alba in her 4 or 5. Look at the rabbit outfit, do you see any resemblance to Alex Podesta’s rabbit man art? These types of children are born into this by mothers and fathers living in the Ring for years. That’s how this stuff becomes their passion and make them huge money as they get paid very well by pedophiles and other pedovores.
Now let’s take a look at Jeff Koons “art”:
We talked about David Brock, James Alefantis and how through a dangerous leaked document we uncovered that Media Matters is openly and publicly trying to overthrow the Trump’s Presidency. To see the extensive report, click here.
Jeff Koons has donated $50,000 to Correct The Record, another partisan super PAC founded by David Brock and funded by Soros, coordinating with Clinton’s campaign, which dedicated $1 million to find and confront social media users who post negative messages about Hillary Clinton. All that the campaign was about was: Don’t talk or get crashed.
So here we again have the same gang, Brock, Podesta, Alefantis, Clinton now plus Jeff Koons. Keep this in mind before we link the rest to it.
Now, what is Tony Podesta’s official occupation? What is he famous for?
Tony Podesta is a famous “Art Dealer”. He collects the pieces. Where is Tony Podesta’s home?
Tony Podesta lives in Kalorama just a few blocks away from Obama’s Kalorama mansion in DC as we said before, according to the map, as the Kalorama mansion is the same mansion the ex-president Woodrow Wilson lived in, there are secret tunnels under Obama’s mansion and that is the only reason Obama has chosen that ugly black house which looks like a horror movie. To read about Obama’s Kalorama mansion click here.
In January 2015, Jeff Koons and Marina Abramovic (the satanic witch) flew in Doha; Qatar and were hosted by Sheikha bin Khalifa Al-Thani’s sister who is the chairwoman of Qatar Museums, and Arthur O. Sulzberger, Jr., chairman of the New York Times Company. Can you find the connection? we have the chairman of the New York Times hosting the spirit cooker Marina Abramovic together with the Qatari Royal family, the ISIS feeders, and trainers. But this is not the only phony pit in the New York Times. (The New York times director is in deep swamp with Jimmy Savile the bloody pedophile. In fact, right during the peak of Savile’s child abuse scandal, Mark Thompson left the BBC and became the CEO of the New York Times. Any wonder why the New York Times is a die-hard anti-Trump and the leaker behind the phony dossier?” To read about Thompson and Jimmy Savile Click here.)
Another important link in the meeting was Larry Gagosian, who is known as the most powerful art dealer in the world. He was placed at a table nearby. So we have Jeff Koons the sculptor who donated to David Brock-Podesta gang, Marina Abramovic the spirit cooker of John Podesta’s parties, the most famous “art” dealer Larry Gagosian and the sister of Emir of Qatar who makes a $1b payment to Jeff Koons each year under the label of “art purchase”. Can anything good come out from this ”art” mission?
Or are these people buying children, the same children who are missing in DC and all around the world, who are packaged in boxes while drugged and gaged and bypass the Customs investigation labeled as “Live Art’ which is a “code word” and freely shipped under the “ART FOR EMBASSIES PROGRAM”, license owning by John Podesta? Children provided by the other big art dealer, Tony Podesta at the Washington end and easily moved through the secret tunnels?
What is disturbing is that in the same art exhibition together with Koons and Abramovic, there were two key directors of UNESCO, which is in charge of many organizations around the world who deal with children and underage teens. But the horrific part is still coming and that is Koons is a member of the Board of Directors of the International Centre for Missing & Exploited Children (ICMEC), a global nonprofit organization that on the surface combats child sexual exploitation, child pornography, and child abduction. But with the gang that he is in contact with, what does this organization really do??
This is the official picture of Art For Embassy’s Website https://art.state.gov/portfolio/out-and-about-party-double-header/
My question is why this program under a State Department website.gov still exist?
This is the balloon rabbit, the main signature of Jeff Koons, the same symbolism of the playboy bunny, and the same symbolism of Alex Podesta’s art. A small rabbit is a symbol of a kid or an underaged teen.
As for Haiti, these organizations are first-responders in place after a war, attack, earthquake, or Tsunami. Parents are gone, the city is in total chaos, and children are dispersed and non-vetted. But these people need a reason to enter the area and have the visa so the child saving organizations are the best cover-up to snick in and steal the children easily and for free while they can make huge money out of it.
The International Centre for Missing & Exploited Children (ICMEC) was officially launched in April 1999 at the British Embassy in Washington, D.C., by Hillary Clinton, then-First Lady of the United States, and Cherie Blair, wife of British Prime Minister Tony Blair. Are you able now to clearly see the connections? Why the British Embassy? Why DC? Why the Corrupt Tony Blair who became the Prime Minister out of nowhere? In RING OF THE CABAL, I explained how the Queen funnels billions in Clinton Foundation through Justin Trudeau’s government and the question was why? Can you now see the reason?
This is the testimony by Ilona Staller, aka Cicciolina the pornstar, the first wife of Jeff Koons during their divorce trial:
“But I told the psychologist in New York that I suspected my husband was a psychopath. I walked in on him nude on the bed while our child was playing with his genitals, and I told him, “It’s not nice to do that with a child.” I certainly saw other horrible things, but I can’t tell you about them. In other words, my husband is mad as a hatter.”
In an article on a not popular website “pahidon,” we read: “On Saturday night the J/P Haitian Relief Organization held a gala auction at the Montage hotel in Beverly Hills. Hollywood actor Sean Penn founded the charity following the 2010 earthquake, and among the lots on offer was Penn’s own gun collection. According to online reports, his new girlfriend, the South African actor Charlize Theron, encouraged Penn to divest himself of his weaponry, since she has a strong aversion to firearms; her mother shot her father when Theron was 15. (The article doesn’t mention that her mother shot his father because he used to rape her on a daily basis and her mother became her hero but she is now using the death of his father to ban guns and satisfy her masters)
Rather than simply sell off the weapons, Penn arranged for Koons to work them into a new sculpture. “The highest bidder gets every single one of my guns put in the hands of this iconic artist and sculptor,” Penn explained. “Koons will decommission [and] render inactive all of my cowardly killing machines.” Koons confirmed his involvement, tweeting yesterday that “It has been very meaningful to work with @SeanPenn on his @jphro Haiti benefit.” Read the article here.
Ummm… Now I have an idea about the rumors that I am hearing about Sean Penn’s involvement in child trafficking. Haiti, charity and Jeff Koons. What do you think? Any coincidence?
Isn’t it interesting those celebrities who are louder in hating President Trump have very close ties to class A human traffickers?
Another very disturbing pedo art that had raised so many voices was in France when two artists; Reinhard Scheibner and Stu Mead held a joint exhibition in Marseille. The Sodom & Gomorra “ART” was so controversial that so many called it pedo-art but the Mayor of Paris; Anne Hidalgo, a close friend of Jeff Koons said she is against demonizing freedom of expression.
By Stu Mead. Don’t you see people? This is ART! not pedophilia. They call this taboo-breaking, comic, fetish, fantasy, and exorcism.
The rest of the paintings are not demonstratable at all. Look for the name of these sick artists and be ready for a shock but remember this is what they do. This is a soft manifest of their sadistic parties. Just like sadistic porn. What you see in sadistic porn, is the reality of their nightlife. The difference is in sadistic porn, it is consensual, here in the elite’s circuit, they use abducted children trading as “Live art” pieces, shipped in boxes.
Please unroll each tweet while reading as each one of them contains a magazine-like long thread.
I've said it over end over, modern art is just a cannibal-pedophile cover-up. We have been fooled. https://t.co/C16j0y8nLr
— Ella Cruz♦️?? (@EllaaaCruzzz) April 23, 2018
— How dare they! How dare they! (@allergic2woke) April 23, 2018
The “art in embassies” program has allowed “art” to be transported globally for decades as diplomatic pouches that skirt all customs & immigration inspections. It’s at the heart of their human trafficking operation. https://t.co/x9yzHFkcM7
— Brad Fitzgerald +++ (@Gruvedawg) April 23, 2018
Jeff Koons pic.twitter.com/aojTfURZZ5
— ❌Botty McBotBitch??? (@67_4_17) April 23, 2018
Another example of the Modern Art which is nothing more than the old Jesus bashing happening in all churches of Satan. It’s nowhere. In the streets, in schools in churches and in art exhibitions.
Summary: Modern Art is the key for us who fight child and human trafficking. The traffickers are mostly Satanic-Occultic worshipers and do this as a believer. They have no mercy. Today the issue of child trafficking is not kidney stealing or sexual exploitation of the children. The mentioned crimes are like candy in comparison to what we are really dealing with. Children are abducted, tortured, raped, cut into pieces to feed the satanic cannibals. When you think this is a conspiracy or we are crazy, just remember Gabriel and Alisa above and so many other children’s testimonies who pictured exactly the same scenes. If you cannot take it, just remember the children had to take it and they need to be saved so we have to toughen our stomach and be strong for them. If they could live it, we should be able to hear it.
God bless you.
This is the person next to Hillary Clinton in the picture, seated on the bench.
Photo credit: https://commons.wikimedia.org/wiki/File:Kiki_Smith_8229.jpg by Nina Subin
According to Wikipedia: “Prompted by her father’s death in 1980 and by the AIDS death of her sister, the underground actress Beatrice “Bebe” Smith, in 1988, Smith began an ambitious investigation of mortality and the physicality of the human body. She has gone on to create works that explore a wide range of human organs; including sculptures of hearts, lungs, stomach, liver and spleen. Related to this was her work exploring bodily fluids, which also had social significance as responses to the AIDS crisis (blood) and women’s rights (urine, menstrual blood, feces)“
This is her art and she is sitting next to Hillary:
This is Virginia shore: Curator at the Department of State, Art For Embassies, standing at the right end of the photo.
Beth Dozoretz; standing at the left end of the above photo.
Look at the bloody girl’s painting behind her.